Is considerably deeper and more coherent than the Antonioni film of the same name. Includes selections, most of them instrumental, by Pink Floyd, the Grateful Dead, Kaleidoscope, the Youngbloods, Jerry Garcia, John Fahey, Roscoe Holcomb, and Patti Page. But set semiclassical-twice-removed melodies amid received, overrehearsed rock instrumentation and all the verve and spontaneous power which is the music's birthright gets crucified. Tommy, in which real rock and rollers pursued a grandiose dramatic concept, was risky enough. Outsiders since Pat Boone have had the dumb idea that rock and roll means projecting the kind of sham intensity that the worst kind of opera lover is a sucker for, and here's more-"rock musical" is too kind. And Mick Jagger's version of Jagger-Richard's scabrous, persona-twisted "Memo From Turner" is his envoi to the '60s. Randy Newman's version of Nitzsche's metaphor to impotence, "Gone Dead Train," is a white blues landmark. Merry Clayton and Ry Cooder and Buffy Sainte-Marie and composer-producer Jack Nitzsche are pretty good for a soundtrack and pretty forgettable for a record album. Chelsea Walls: Original Music by Jeff Tweedy.About a Boy: Original Soundtrack by Badly Drawn Boy **.Dexter's Laboratory: The Hip-Hop Experiment A.Rodgers & Hammerstein's South Pacific: Music From the ABC Premiere Event.Mark Twin: A Film Directed by Ken Burns.Austin Powers - The Spy Who Shagged Me *.
South Park: Bigger, Longer and Uncut A.Bombay the Hard Way: Guns, Cars and Sitars **.Mandela: Son of Africa, Father of a Nation A.Bring in 'Da Noize, Bring in 'Da Funk D+.Walt Disney Records Presents the Music of Disney's Cinderella.The Adventures of Priscilla: Queen of the Desert.Sarafina! The Music of Liberation-Broadway Cast Recording B.The Decline of Western Civilization B.
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